Liishaamo rinjiyeynta. in style ka mid ah rinjiyeynta aan la taaban karin

In horrantii qarnigii labaatanaad, isbedel cusub farshaxanka - modernismen. postulates New diidmada eedeeyey by dhaqanka qaar ka mid ah xaqiiqo in rinjiyeynta. The ereyada in "la soo dhaafay waa si dhow" noqday moodada iyo gaaban markii uu helay a badan oo ka mid ah taageerayaasha. Doorka keentay in isbeddellada ka dhacaya iska tahay aan la taaban karin, oo isku xidhaya tiro ka mid ah isbeddellada in waajibo ku saleysan modernismen sida Futurism, Cubism, Expressionism, Surrealism, iyo kuwa kale. Society la qaatay liishaamo rinjiyeynta kolkiiba ma yeeleen, laakiin ugu dhakhsaha badan style cusub oo cadeeyay inuu ka tirsan tahay.

horumarinta

By soddon jirka ahayd ee qarnigii labaatanaad, waayo abstractionism helay hawl-wadeeno. Founder of cusub jihada in farshaxanka ranjiyeynta ahaa Wassily Kandinsky, mid ka mid ah fanaaniinta ugu cusub waqtiga. Maitre sameeyay agagaarka Galaxy dhan ah dadka taabacsan, kaas oo noqday aasaas u ah habka hal abuur leh ee waxbarashada gobolka oo ka mid ah nafta iyo intuitions hoose. Artists tiray xaqiiqada dhabta ah ee dunida iyo muujiyay dareenkooda ku tahay aan la taaban karin. Qaar ka mid ah farshaxankiisa adopters hore ee nooca cusub wuxuu ahaa wax aan macquul aheyn in la fahmo. farshaxankiisa aan la taaban karin guud ahaan ma qaado wixii macluumaad iyo martida diyaarsaneyn in bandhigyo iyo bandhigyo tahay inta badan waa at khasaaro ah. Samee qoritaan gaaban sawirka ka dibna lama aqbalin, iyo xaakin kasta oo hal-abuurka ah oo qurux badan ku tiirsan yihiin oo kaliya ay aragti u gaar ah oo ku saabsan.

Masters iyo Aasaasayaasha

Waxaa ka mid ah dadka taabacsan ugu caansan ee dhaqankan cusub ahaayeen fannaaniinta la taaban karin caanka Wassily Kandinsky, Natalia Goncharova, Pieter Mondrian, Kazimir Malevich, Mikhail Larionov. Mid kasta oo iyaga ka mid ah ku xayiran in uu jihada. farshaxankiisa aan la taaban karin by fannaaniin caan ah si tartiib tartiib ah u noqday garan karo, iyo tan qayb ka ah horumarinta ee foomka farshaxanka cusub.

Kazimir Malevich shaqeeyay in line la Suprematism, siinta doorashada si aasaas u joomateri is-qowlka. Dynamics ee darey ay ku shiraac ka gaynta u muuqda kadiska ah ee laydiga, god, wareegyada yimid. Nidaaminta tirooyinka on shiraac ah ahaa ka baxsan macquulka kasta, iyo waqti isku mid ah, sawirka siiyey aragti ah ee si adag u dhexdiisa. In farshaxanka tusaalooyin badan oo ah sidaynu, aasaas is burinaya. The ugu horeysay aragti markii shirka la sawir may fasax qof taag daran, iyo qaar ka mid ah waqti ka dib ay shiraac horey u muuqdaan kuwo xiiso leh.

Artists Natalia Goncharova iyo Mikhail Larionov raacay jihada Rayonism, kuwaas oo qalab ahaa isgoyska lama filaan ah oo ah khadadka toosan sida rays oo midabo iyo midabo kala duwan. ciyaarta midabo sawirka kaabayaasha dhaqaale isku dhafan fantastic ah intersecting alwaaxdii saqafka haysay alternated in isu-gaynta aan dhammaadka lahayn, iyo web ee isku radiated socodka tamarta.

tashizma

artist aan la taaban karin Delaunay iyo Kupka soo bandhigay uu fanka u gaar ah. Waxay rabeen in ay gaaraan saamaynta ugu badan by gudbaya diyaaradaha jiibta midabo. Wakiilada tashizma, hannaankii muuqaal dabiici ah helay iyadoo ay sabab u codsanaya stroke weyn qasan at maqnaansho waadaxa ah ee ka kooban, silsilad ay muujiyeen caqiidada farshaxanka. Aan la taaban karin saliid tashizma style waa ugu adag tahay in this ku sifayn kartaa waxa loo fasirayaa in la koobi karayn tirada tafsiiro, iyo mid kasta oo doonistiisa loo tixgeliyo aan dhicin. Si kastaba ha ahaatee, ereyga la soo dhaafay weli waayo, dhaleecayn iyo taariikhyahanadu tahay. Sayidka laftiisa la taaban karin style ma xadidan oo ay ku kasta oo qaab-dhismeedka ama heshiiska.

Neoplastitsizm

Oo haddii sawir Robera Delone ahaa tusaale ka mid ah meaninglessness, rinjiile Dutch Peter abstractionist Mondrian asal ahan nidaam adag oo soo wajahda tirooyinka waaweyn xaglo xaq u shiraac iyo duwan leh kasta oo kale si hab qaar ka mid dahsoon midoobeen hal gelin. abuurka Mondrian loo yaqaan "Neoplastitsizm". Waxaa ugu caansan ee labaataneeyada ee qarnigii la soo dhaafay.

Cech František Kupka abuuray farshaxankiisa, oo heysatay qaab wareegsan oo soo koobay, goobo la keenin wax ka gooyay on hal dhinac oo ah wareegga, taas oo si lama filaan ah u baxay madow leh khadadka jabay, keenaya walaaca iyo walaac. farshaxankiisa Kupka la tixgelin karo saacado iyo hesho iyaga Gudigga cusub.

Abuuritaanka farshaxankiisa, rinjiile aan la taaban karin isku dayo si aad u hesho ka images caadiga ah iska. Marka hore aan aqoonsan shaqada hungo ah ee Kandinsky, Malevich, Mondial iyo dood kale oo markii danbe sababay kulul oo dhex taageerayaasha iyo horjeeda ee farshaxanka cusub.

qowlka

Tusaale kale liishaamo rinjiyeynta - waa style expressionism sawir degdeg ah on shiraac ah oo waaweyn la saarayo neogeometricheskih stroke oo adeegsanaya ballaaran burush-fleyts, halka dhibcood badan oo khad dhici on shiraac soo kala bixiyeen, si walba. Expression of hab noocan oo kale ah waa ugu weyn oo calaamadda kaliya ee ka tirsan tahay.

Orphism - mid ka mid ah tilmaamaha of rinjiyeynta Faransiis, waxaa la sameeyey ee labaataneeyada ee qarnigii la soo dhaafay. Artists Qabsada habkani, isku dayeen in ay ku muujiyaan rabitaankooda dhex dhaqdhaqaaqa jiibta iyo musicality shuruud, oo ay habka loo isticmaalo ee wax lays labada dhinac mid ah midabo iyo waddooyinkiisa gudbo.

Pablo Picasso

Cubist sida milicsiga liishaamo rinjiyeynta gartaa isticmaalka of joomateri qaababka aan si cad loo qoondeeyey, iyo qaar ka mid ah degree of go'amada. Wrong wareegyada, jabay khadadka, geesood iyo qallooca - waxan oo dhan ayaa laga yaabaa in lagu rakibaa on gaar ah macquulka ah iyo waqti isku mid ah leh u dejisey nasiibka. Wakiilka ifka of Cubism ahaa oo weli waa artist Spain Pablo Picasso (1881 -. 1973), kaas oo waxaa loo arkaa aasaasihii dhaqdhaqaaqa this ee rinjiyeynta.

Tijaabo la midabka (muddo buluug, muddo pink) si tartiib tartiib ah u guuray qaab a modified, dhalanrog ula kac ah oo nabaad-ee dabiiciga ah. Tusaale ka mid ah farshaxankiisa, kuwaas oo la oran karo waa rinjiyeynta ah "Les Demoiselles d'Avignon", ku qoran 1907, markii liishaamo rinjiyeynta ayaa hadda bilaabay in ay helaan dardar. Sidaas daraaddeed, Picasso keentay fanaaniinta qaar ka mid ah markii ay u sifayn cusub, kaas oo si buuxda u diiday xeerkii naturalism iyo muhiimadda garashada farshaxanka.

ee la soo dhaafay fog

Rinjiyaynta fanaaniinta aan la taaban karin ee horrantii qarnigii labaatanaad ayaa galisay farshaxanka muddada, ee Duke of-rogga badan oo dugsiyada farshaxanka ahaayeen sayidyadiinna ah ee burushka, kuwaas oo maamula si ay u caddeeyaan sidaynu in - waa arrin noocan ah oo madaxbanaan tahay ganaax, qayb ka mid ah dhaqanka.

aan la taaban karin casri ah

Currently sidaynu qaatay dhowr kale foomam kala duwan yihiin kuwa la jiray ee ka talinaysay oo ka mid ah arrin lagu muransan yahay nooca tahay. maanta afka sidaynu Modern - waa caddaan. fannaaniin caan ah sida Andrew Pelikh Valery Orlov, Marina Kastalskaya Andrew Krasulin, rido ee soo gudbinta heerka ruuxiga ah ee metaphysics, iyo sidoo kale iyadoo la isticmaalayo xeerarka indhaha iyo digtoonaan iftiinka ee palette a ah oo midabo kala cad.

midabka danab sare ayaa suuragal ah keliya in jidh cad, midabka this - aasaaskii dhan aasaaska. ka dhinac midabka reebo, waxaa sidoo kale waa sidaynu casriga factor load semantic ah. Calaamadaha iyo astaamaha soo baxa ka bixiyo miyir, ay yihiin calaamadaha shinka ah. artist aan la taaban karin casriga ah Valentin Gerasimenko isticmaalaa in uu farshaxankiisa images of qoraal gacmeedyada hore oo qoraal gacmeedyada, kaasoo u ogolaanaya si weyn loo fasiri theme ee la soo dhaafay.