Dhaqanka Renaissance: music iyo farshaxanka

Dhaqanka Renaissance ahaa caadiga ah ee Bartamaha iyo Galbeedka Europe muddada wakhtiga u dhexeeya 14 iyo qarnigii 16aad ee. Muddadan sawirka dunida ayaa bedelay arrin qoto dheer, waxa uu helay meel humanism. dhaqanka ku salaysan ee Renaissance waxay ahayd in Qarniyadii hore. Waa sababta oo ah xaqiiqda ah in this ahaa caadiga ah ee xilligii inaan soo nooleeyo dhaqankii dunida qadiimiga ah, waxaa la odhan jiray Renaissance ama Renaissance.

Back ee qarnigii 13aad, sow ma ahaa hanti si ay u muujinayaa nin ee guud (foomka aadanaha waxaa kaliya la isticmaali karaa marka qoraal ah walxood), waxay ka dhigan tahay oo keliya xiriirka nin Ilaah, iyo in foomamka la taaban karin. Architecture sidii wakhtigii la gartaa xubno Gothic iyo incorporeity.

Laakiin horaantii farshaxanka qarnigii 14aad uu bilaabo inuu mitidnimo ah u beddesho: N. Pisano beddelo qaabka naqshadaha, iyo farshaxanka Giotto di Bondone bilaabay inuu qoro ah farshaxankiisa style cusub: saddex dhinac-cabbir ah, dheeraad ah oo firfircoon, faraxsan, macquul ah, iyadoo xaaladda bartilmaameedyada cad.

By dhamaadka dhaqanka qarnigii 15aad ee Renaissance ka gaadhay meesha ugu sarreysa: fannaaniin badan oo ka shaqeeya style cusub, iyadoo la isticmaalayo ereyga isagoo isku dayaya inuu sawir ah "nin fiican". naqshadaha waxay gebi ahaanba waa uu joogsanayo si ay u isticmaalaan qaab Gothic - si uu u bedelo isaga yimaado classic ah, kaas oo ku salaysan dheellitirnaanta iyo dheelitirka.

Haddii aan si toos ah la hadal oo ku saabsan rinjiyeynta, waa in la sheegay in dhaqanka iyo farshaxanka ah ee Renaissance wuxuu u qaybsan yahay muddo dhowr: Early, High, iyo ka dib Northern Renaissance.

Tusaale A classic dhaqanka farshaxanka Early Renaissance yihiin hannaanka Sandro Batticheli. canvases sida "Dhalashadii Venus," "baroor" iyo "Spring", ma aha oo kaliya ma magaca artist ee aan dhiman, laakiin sidoo kale noqday mid ka mid ah isku day ugu horeysay guul si ay u muujinayaa quruxda jidhka bini'aadamka.

Waayo, High Renaissance image khaas ah oo shaqsi ah habboonaanta iyo free, sort of haboon. Mid ka mid ah fanaaniinta ugu fiican ee wakhtiguna wuxuu ahaa Leonardo da Vinci - magaca badan oo uu dadka la wadaajin dhaqanka ee Renaissance ah.

artist cajiib ah, muusikiiste, naqshada, anatomist, sculptor, injineer, Abwaan, aragti - oo dhan waxaan dhihi karaa waxa ay ku saabsan. Qaar badan oo ka mid ah uu sawir, laakiin ma aha ee la alifay ee loo isticmaalo dunida casriga ah, iyo Mona Lisa dahsoon yididiila galin malaha dad badan oo ilaa maantadan la joogo.

Wixii dabeecad ah ee dabayaaqadii Renaissance ah, Mannerism, saamayn ku ma aha oo kaliya Venice. Xilligan waxa loo yeedhi karaa muddada dhaqanka hoos u dhac.

The art Northern Renaissance la xiriira dabayaaqadii Gothic ah. The fanaaniinta ugu fiican ee muddo this ahaayeen kuwa soo socda: Hans Baldung, Ieronim Boskh, Hans Holbein, Pieter Bruegel iyo Jan van Eyck.

Dhaqanka muusikada oo Renaissance iyo waqti isku mid ah waa la xiriira in ay tahay ee qarniyadii dhexe, iyo waa ka duwan. In Italy, inta lagu guda jiro Renaissance ah, jagada hoggaamineed weli iska leh heeso kaniisadda, laakiin mar hore laga bilaabo si ay u horumariyaan polyphonic oo loo ogol yahay in ay adkayn ah hees, music, si aad u qiiro leh oo aan caadi ahayn.

Netherlands ayaa ay awoodaan in ay si weyn u yeeshaan dhaqanka ay muusikada, abuurka dugsi polyphonic. Waxay ahayd caan ah in loo tababaray fanaaniinta yar yar ma aha oo kaliya Dutch, laakiin sidoo kale Ingiriisi, dhaqanka Faransiis iyo Talyaani.

In France, waxaan ku bixisay fiiro gaar ah u music ah, ma aha oo kaliya ee foomka of music kaniisadda, laakiin sidoo kale qaab polyphonic cilmaani song yeedhay chanson.

In Rome, sida Nederland, waxaa la asaasay dugsiga polyphonic. peculiarity ee xeerkii Roman muusikada ayaa noqday music adag iyo tegayo, qoraal cad.

In Venice, walxuhu waxay ahaayeen caadi ahayn xaqse oo raaxo leh, laakiin England helay taageero aad u weyn xayawaanka yar darey muusikada.